Showing posts with label YA. Show all posts
Showing posts with label YA. Show all posts
Friday, November 20, 2015
First Read Friday: The Sword of Summer (Magnus Chase & The Gods of Asgard #1) by Rick Riordan
Title: The Sword of Summer (Magnus Chase & The Gods of Asgard #1)
Author: Rick Riordan
Publisher: Disney - Hyperion Books
Published: October 6, 2015
Number of Pages: 528
Genre(s): Mythology, Fantasy, YA
Date Read: November 1, 2015
Acquired: Walmart
Summary:
Magnus Chasehas just turned 16, but he's not like most other 16 year olds, Magnus has been living on the streets of Boston, on his own for the last two years since his Mother died. Well actually she didn't just die, she was killed, by inexplicable wolves. So Magnus hates wolves with a passion now, and really who could blame him. For many teens who've just turned 16 their looking forward to a birthday party with lots of their friends, and maybe learning how to drive. Magnus is just looking for his next meal and to stay out of trouble. Magnus doesn't get what he wants though because apparently turning 16 triggers something, something that he doesn't understand, some sort of destiny. Somehow he ends up on a bridge fighting a fire giant for a barnacle covered sword, while being defended by his two homeless friends who are wielding a make way for ducklings sign and a toy store bow and arrow, after listening to an Uncle he hasn't trusted since long before his Mom was killed.
After his fight on the bridge Magnus finds his way to the einherji where the strange things just keep on coming, and the more answers he gets the more confused he gets. The aforementioned homeless friends come to rescue him, and it turns out they've been protecting him from unseen enemies all along, and they're not really homeless humans either, one is a deaf elf and the other is a fashion conscious dwarf who turns to stone in the sunlight. They set off on a quest to find Frey's Sword of Summer and keep Surt from releasing Fenris Wolf and starting Ragnarok. Will they succeed?
Review:
I have been waiting for a Rick Riordan Norse mythology series since The Kane Chronicles (KC) so when this was first announced I was freaking out and I have been so excited for it. I followed all the progress updates on Facebook, I gleefully and eagerly counted down the days until the release date. I was jealous that my friend Rachel got her copy before me and resisted the urge to ask her for spoilers beyond telling me exactly HOW Magnus is related to Annabeth (it had been circulating for months that he was going to be her brother so I HAD to know whether he was or not and I was impatient). I hurried to finish the book I was reading when it was released and then the book that I had gotten while reading that book (Chess Queen Enigma) so that I could get myself a copy of Magnus and read it. So to say I had expectations and high hopes it putting it rather mildly. But oh man did it ever live up to my expectations. Once I got it it was near next to impossible to put it down. I would think about reading it while I was at work. I loved every single page of it, it hooked me right from the beginning and just stayed awesome all the way through.
Rick Riordan just has a thoroughly enjoyable writing style, he's informative and educational while being highly entertaining. His humour is spot on and perfectly irreverent which I love. My favourite chapter title in the book for example is the one where is breaks the fourth wall "Hearthstone passes out even more than Jason Grace (Though I have no idea who that is)". I was really looking forward to seeing how Riordan would make Magnus stand out from Percy Jackson/Heroes of Olympus (PJ/HoO) and the KC because he did so well at keeping those two mythologies from being too similar even though they were both dealing with the same type of character really (modern teenagers with ties of some sort to mythological gods/goddesses). In PJ/HoO, you'll recall, the kids were all children of first the Greek and then the Roman aspects of the Greek/Roman pantheons (Thanks for catching that I typed Freek instead of Greek the second time there Google) while in the KC the teens were descendants of Egyptian magicians who could channel the auras and powers of the Egyptian pantheon. What he does with Magnus and his companions definitely stands on it's own from the previous two series and perfectly fits the Norse mythology.
As with his other two previous series the world of Norse mythology is well woven into the modern world, this time in Boston instead of a borough of New York. I'm sure given Magnus's connection to Annabeth that as the series goes on we'll get more and more references to people and events from the other series' especially PJ/HoO and I am really looking forward to that. I don't know how many books Riordan has planned for this particular series but I plan to read all of them.
--Ren
Saturday, November 7, 2015
First Read Friday: The Chess Queen Enigma by Colleen Gleason
Author: Colleen Gleason
Publisher: Chronicle Books
Published: October 6, 2015
Number of Pages: 351
Genre(s): Mystery, Sci-fi, Steampunk, YA
Date Read: October 25, 2015
Acquired: Goodreads Giveaways
Summary:
It is my great pleasure to introduce you this evening to one Miss Alvermina Holmes, daughter of Sir Mycroft Holmes, niece of the esteemed detective Sherlock. She would prefer that you call her Miss Holmes, or if you must use the familiar, Mina. Mina is every bit a Holmes, she is following in her uncle's famous footsteps as a master of deductive reasoning (although she still has much to learn). May I also introduce you to her associate Miss Evaline Stoker, sister of Mr. Bram Stoker, oh yes, and she's a trained vampire hunter. Together they form the team of Stoker & Holmes, under the guidance of the indomitable and infamous Miss Irene Adler they endeavor to become a crime fighting force to rival the likes of Holmes and Watson.
The year is 1889 and our intrepid young heroines have been tasked by the Crown to act as diplomatic escorts for a foreign Princess as she attempts to restore the relationship between her country and England by returning a letter that will lead to a loss chess piece, a white queen. On the eve prior to their assignment to escort the Princess of Betrovia, Evaline gets drawn into a mystery involving her friend Pix. Inevitably everything goes bottoms up, the letter ends up stolen and Mina and Evaline are called in to track it, and the queen down. Mina deduces that their adversary in this endeavor is someone they have faced before, their own Moriarty if you will, a criminal mastermind known only as the Ankh. What, if anything does the Ankh and the missing chess queen have to do with Pix's mysterious client? And is everyone around them really who they appear to be?
Review:
I must preface this review by noting that the copy of the book that I read is an uncorrected advanced reader's copy that I received from the publisher via Goodreads Giveaways. Therefore, without having a finished copy of the book in hand I cannot say for certain whether or not any of the problems I had with this book actually appear in the final version of the novel. Overall, I really enjoyed this book. I love books that take characters we know and love (or historical figures in the case of Bram) and give them bigger and more complex lives than we saw them have in their own stories. In this instance those beloved characters serve as background characters to give the two main characters a reason for existing, but I love that. There are things that Mina Holmes and Evaline Stoker can do that Sherlock and Bram could not as characters.The steampunk meets urban paranormal fantasy mashup intrigues me as well, you can't have a character called Stoker without having vampires. This is the 3rd book in the Stoker & Holmes series, but it is the first one that I have read. I went to the public library last night and borrowed the other two.
I'm betting that many of the problems I had with this book stem from the fact that I didn't read the first two before reading it. The story felt rushed to me over all, and like there were too many side plots that the author had to hastily try and fold into the main plot...which caused the main plot to get sort of diluted. The Dylan story line, that felt out of place for me, but that one I definitely expect is because I haven't read the first two books yet. Wedging the vampire portion of the plot (the Pix storyline) into the puzzle of the chess queen seemed unnecessarily contrived, it seemed more like its purpose was setting up the 4th Stoker and Holmes book rather than driving the plot of this book. And the actual enigma of the chess queen? I feel like that was the one storyline in the book that didn't get as much attention as it should have, it just to me any way felt like that investigation was just happening whenever they didn't have something else on the go. And the last thing that bothered me? The something else on the go usually related to men. I feel like Mina and Evaline shouldn't be concerned about men or what men think of them etc. but Evaline spends time telling us how jealous she is of another female friend of Pix's and also trying to sort her feelings out for him. Mina spends quite a lot of time trying (and failing miserably) to deny that she has feelings for Inspector Grayling (the Lestrade to her Sherlock). I'm telling you, if I am picking up a novel called a Stoker and Holmes novel, I am NOT picking it up for the relationship dramas of young Victorian ladies, I am picking it up for kickass vampire hunting a damn good mystery...and I just feel like both of those things were somewhat afterthoughts in the novel.
Enjoyable read, just not 100% what I was expecting. Won't stop me from reading the rest of the series though.
--Ren
Friday, February 28, 2014
Reviewing at Parajunkee's View
So I mentioned in my last post, very briefly, that I am now an e-Book Reviewer over at Parajunkee's View. I've written 2 reviews there so far, the second one went live today. Going forward, each time one goes live I will share a link here on the blog. For now I am sharing the first two here together:
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#Review of Netherworld by Lisa Morton |
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#Review of Queen of Hearts: Volume 1 - The Crown by Colleen Oakes |
Enjoy!
- Ren
Sunday, February 9, 2014
#Review: The Fault in Our Stars by @realjohngreen

Author: John Green
Publisher: Dutton Books
Published: January 1, 2012
Number of Pages: 313
Genre(s): YA, Realistic Fiction
Date Read: February 9, 2014
Acquired: Waterloo Public Library
Summary:
Hazel Grace Lancaster is dying. This is not a secret. This is not new. Hazel has been dying since she was born, as have we all been. Because dying is a side effect of living. But if you really want to get technical, Hazel is actively dying whereas the rest of us are passively dying, and she has been actively dying since they found the cancer in her body. Her cancer has always been terminal, she's never had an X chance of surviving, there's never been a surgery to take the cancer out, because it's not that kind of cancer. She has accepted all of this with a grace befitting a girl whose middle name is Grace, she has accepted that she will cease to be sooner rather than later, and she just wants to get out with as little bit of a mess as possible. She doesn't want to be a grenade in the lives of the people who she loves and who love her.
She thinks she has a choice. Right up until the moment that Augustus Waters walks into her life, she is right. But Gus changes everything. They suddenly find themselves together on a whirlwind journey that only leads to one inevitable ending. Absolute and complete heartbreak.
Review:
Oh. My. Gods. John Green what have you done to me!? Oh but does this book ever live up to all of the hype about it. Mr. Green you are as spectacular an author as you are an entertainer sir, and you are an exceptional entertainer in my eyes so draw your conclusions on how I feel about your writing from that statement.
I had seen John Green's book in the Library, while shelving them, but I had never bothered to pick one up and read the dust jacket. And then I came across the YouTube Mental_Floss list show. Well that show is right up my alley, educational and entertaining, and hosted by John Green. As I worked my way through the playlist I said to myself, before he ever mentioned his books in the videos, "Gee I wonder if this is the same John Green who wrote those YA novels everyone is talking about." Well of course he's the same John Green. Still didn't make me pick up his books, but it did drive me to his other videos (CrashCourse is AMAZING and I watched all of the humanities videos in under a month, omg.). It was as I was working my way through CrashCourse US history, with all the hype building for the TFiOS movie, that I decided that I should check out his books. So I put The Fault in Our Stars on hold at the WPL, and while I was waiting I went out and bought Looking for Alaska (which is now on the to-be-read shelf of course, because my hold came in).
TFiOS arrived this past Thursday at the library, and obviously, since I am now writing this review I have finished reading it. I started it Friday night and I devoured it in three dedicated sittings in between bouts of watching Olympic Slopestyle (YES THAT IS ONE WORD, AND A REAL WORD GOOGLE, NO I WILL NOT HYPHENATE IT!) Snowboarding and Luge; and working on job applications, with a little smattering of John Green on the side because the last video for Crash Course US History was posted. I knew a little of what I was getting myself into having been watching John Green videos lately and having watched the trailer for the movie, and being brutally honest, I didn't think I was going to like it, like at all. I am not usually a Realistic Fiction fan. I am all about the escapism of literature, but at the same time, one of my favourite things about literature is well written, intelligent, sharp witted, and insightful characters. This book is chock full of those types of characters. Hazel and Augustus, even the names, especially his, conjure to mind images of old scholars in tweed jackets with leather patches on the elbows. They are not that image, they are young and they are funny, and they are dying. They are fully aware of the tragedy of their circumstances and they both have a deliciously black sense of humour. Which I can fully appreciate. My own family, myself included, is known for our wickedly dark sense of humour.
This is not a happy book, there is no happy ending, there is tragedy and there is death, but as I said throughout it all there is humour. I think it is a truly special thing when a book that is essentially all about dying, death and the tragedy of lost love can still have a current of humour running from cover to cover. More than once I found myself moved to near tears (that is not to say your book could not induce tears in someone else Mr. Green, but I am one of those silly over emotional people that has an easier time crying over tiny things rather than big things, and your book is a very big thing indeed Sir.), but for every one of those moments there were two where I was laughing loudly, smiling, or snorting to keep myself from laughing at something that was probably meant to be serious.
This book resonated with me, I am not a cancer kid, but I have been affected by cancer many times over. We lost my father directly after a cancer operation four days before Christmas in 2002. Before that there was my Grandmother, before that my Uncle Jim, and even before that there was my Mother's sister, for whom I am named, but who I have never met, because she was a cancer kid, she died when she was 9. Since I am being honest, all of that was why I didn't want to read this book initially, because I didn't want to read about a young girl who had to face the awfulness that is cancer. But that is in the end what makes this book so good, Hazel handles the awfulness with a complete and devastating honesty. And I am emotionally devastated having finished this book. Because every page makes you think, and every page makes you thankful for the people and the things in your life that you love and that love you.
So maybe it's the combination of the sheer emotionality of this book, combined with the feeling I always get about the Olympics, but I am sitting here bereft feeling both simultaneously like an insignificant speck upon the Universe, but also a complete and utter triumph because I am here, and I am living, and I am able to sit here and contemplate the way a fictional book has impacted my worldview, and that's not something that everyone can do. Sometimes we need to be reminded of that in order to remember that some of the things we take for granted every day are actually a BFD.
What am I trying to get at then? GO AND READ THIS BOOK. That is what I am trying to get at. It is just so well written, and moving, and powerful. And you need to read it. Now. Or you know not, really in the end it's up to you, but I think you should read it and I think everyone should read it. It should become required reading in high schools.
Now if you'll excuse me, I am going to try and decide what book to read next, and watch some more Luge! Well after I write the summary anyway, because I wrote the review first...
--Ren
Monday, March 18, 2013
If you liked: The Maze of Bones
If you liked...
Then chances are you'll probably like this...
Have you ever felt like the people around you were hiding things from you? Carter and Sadie Kane have been feeling that way a lot lately. Ever since their mother died they've been living separate and very different lives. Carter has been living out of a single suitcase travelling all over the globe with their archaeologist Dad Dr. Julius Kane who specializes in Ancient Egypt. They visit museums, dig sites and universities, but they never stay anywhere very long, only long enough for the local kids to make fun of Carter because Julius makes him dress like a miniature professor; sometimes they arrive at a place only to leave again right away with no explanation from Julius, which makes Carter wonder if someone is following them. Compared to Carter’s life with their dad, Sadie’s life with their maternal grandparents in London England is like living the high life, she gets to go to a normal school and do normal things, like have friends, plus she gets her very own room, privacy and even a pet! Carter has always been jealous of Sadie’s normalcy, and Sadie has always been jealous that Carter gets to spend more than two days a year with their dad; they both wish things could change; but when they get their wish they realize it’s not all they hoped for. It starts when Carter and Julius arrive in London to visit Sadie, their dad is presumed dead after he blows up the British Museum, and then they get whisked away to New York by an uncle they didn't even know they had! It’s in New York that their Uncle Amos reveals the truth to them, their mother didn't die the way they were told, she was killed in a magical accident at Cleopatra’s Needle, their father isn't dead, he’s just been trapped in the Underworld after another failed magical accident. All this talk of magic mind boggles the kids, but they need to get used to it because they’re wizards, the descendants of powerful Ancient Egyptian families, and they can commune with the Egyptian gods, who really do exist. Oh, and they've started hearing voices and having out of body experiences, but that’s not their biggest problem. The big problem in The Kane Chronicles Book 1: The Red Pyramid by Rick Riordan is that their dad’s experiment released five powerful Egyptian gods, including one of the most evil of them, Set, into the world. Now Carter, Sadie and their new friends and allies are in a race against time to master their powers, find some way to save their dad AND defeat Set before he can destroy them and the world…will they make it?
And at least some of these...
1. Airman by Eoin Colfer

2. The Supernaturalist by Eoin Colfer
3. The Keys to the Kingdom Book1: Mister Monday by Garth Nix
4. Larklight by Phillip Reeve
5. The Hunchback Assignments by Arthur Slade
6. The Edge Chronicles: The Curse of the Gloamglozer by Paul Stewart and Chris Riddell
7. The Unwanteds by Lisa McMann
8. Legend by Marie Lu
9. Ergaon by Christopher Paolini
10. The Paladin Prophecy by Mark Frost
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The 39 Clues: The Maze of Bones |
Have you ever felt like the people around you were hiding things from you? Carter and Sadie Kane have been feeling that way a lot lately. Ever since their mother died they've been living separate and very different lives. Carter has been living out of a single suitcase travelling all over the globe with their archaeologist Dad Dr. Julius Kane who specializes in Ancient Egypt. They visit museums, dig sites and universities, but they never stay anywhere very long, only long enough for the local kids to make fun of Carter because Julius makes him dress like a miniature professor; sometimes they arrive at a place only to leave again right away with no explanation from Julius, which makes Carter wonder if someone is following them. Compared to Carter’s life with their dad, Sadie’s life with their maternal grandparents in London England is like living the high life, she gets to go to a normal school and do normal things, like have friends, plus she gets her very own room, privacy and even a pet! Carter has always been jealous of Sadie’s normalcy, and Sadie has always been jealous that Carter gets to spend more than two days a year with their dad; they both wish things could change; but when they get their wish they realize it’s not all they hoped for. It starts when Carter and Julius arrive in London to visit Sadie, their dad is presumed dead after he blows up the British Museum, and then they get whisked away to New York by an uncle they didn't even know they had! It’s in New York that their Uncle Amos reveals the truth to them, their mother didn't die the way they were told, she was killed in a magical accident at Cleopatra’s Needle, their father isn't dead, he’s just been trapped in the Underworld after another failed magical accident. All this talk of magic mind boggles the kids, but they need to get used to it because they’re wizards, the descendants of powerful Ancient Egyptian families, and they can commune with the Egyptian gods, who really do exist. Oh, and they've started hearing voices and having out of body experiences, but that’s not their biggest problem. The big problem in The Kane Chronicles Book 1: The Red Pyramid by Rick Riordan is that their dad’s experiment released five powerful Egyptian gods, including one of the most evil of them, Set, into the world. Now Carter, Sadie and their new friends and allies are in a race against time to master their powers, find some way to save their dad AND defeat Set before he can destroy them and the world…will they make it?
And at least some of these...
1. Airman by Eoin Colfer

2. The Supernaturalist by Eoin Colfer
3. The Keys to the Kingdom Book1: Mister Monday by Garth Nix
4. Larklight by Phillip Reeve
5. The Hunchback Assignments by Arthur Slade
6. The Edge Chronicles: The Curse of the Gloamglozer by Paul Stewart and Chris Riddell
7. The Unwanteds by Lisa McMann
8. Legend by Marie Lu
9. Ergaon by Christopher Paolini
10. The Paladin Prophecy by Mark Frost
Friday, March 15, 2013
First Read Friday: Snakecharm by Amelia Atwater-Rhodes

Author: Amelia Atwater-Rhodes
Publisher: Laurel Leaf
Published: September 28, 2004
Number of Pages: 167
Genre(s): Fantasy, YA
Date Read: February 17, 2013
Acquired: Amazon.ca
Summary:
In the wake of Charis Cobriana's death, Zane Cobriana, Diente to the Serpiente and Danica Shardae, Tuuli Thea to the Avians are still married and still ruling the two different tribes together; they divide their time between the Serpiente court and the Avian Keep trying valiantly to bridge the divide between their two peoples and further the tentative peace that their marriage has created. They have settled into this routine of travel, it is comforting, familiar and happy. But that happiness is not to last.
Syfka, a Royal Falcon has come to their court with a message from the immortal Empress Cjarsa; there is a Falcon hidden among their court and the Empire wants them back and will stop at nothing to secure them. Danica and Zane are in disbelief, they don't understand how a Falcon could have hidden themselves amongst the avians and serpiente. Syfka explains that Falcon magic enables them to change their appearance, including form and colouring, at will. Syfka refuses to tell them anything about this supposed criminal they should be seeking and not knowing her motives puts everyone on edge.
Matters are only made more stressful when it comes out that Danica is pregnant with Zane's child; the child with be a hawk-cobra---and the Falcons do NOT like interspecies breeding; they don't even like it when a peregrine and a gryfalcon breed! So when Danica and the would be child are almost killed, Zane knows exactly who to blame this time. But that's not the only concern about the babe, will it be accepted? Can a half-breed truly rule both courts? Or will it destroy the peace simply by existing?
All he wants is to find this mysterious lost falcon so that they can send Syfka away and his wife and child will be safe. Will Syfka actually stay true to her word and leave? Will they even be able to find the Falcon? Will they like what they find when they do? Can they really give up someone they love to the monstrous Falcon empire? And what of their child? They know the Falcons won't accept her...but what about their own people? Surely their own people will accept their child as the heir to both courts? What other choice is there?
Review:
As one would expect from a sequel this one picks up pretty much exactly where Hawksong left off. Zane and Danica are settling into their fledging new rule when the dangerous Falcons start trying to stir up trouble. It was rather obvious that their rule wasn't going to be smooth given the events at the end of Hawksong but the Falcons waste no time sticking their beaks in.
This book switches perspectives, where Hawksong was narrated by Danica we get Zane's point of view for Snakecharm, which was a dead give away from the title of the book; rather obvious. I personally prefer Zane to Danica, he's more in touch with himself and with the people around him than Danica was. But I have major problems with this volume in the series, and I think most of my problems stem from the issues that seem to come up whenever Atwater-Rhodes puts a major focus on a male character. She has a problem developing her male characters, it's something that I and countless other fans of hers have noted throughout all of her books and Zane suffers the same fate. He had so much potential when he was the secondary character in Hawksong, but then he became the narrator and all of that potential just flew out the window. She didn't develop him, she didn't develop his relationship with Danica, instead she used him to focus on everyone and everything else around him. He does well doing that, he's insightful and a very good narrator, but he's also a let down because he was built up in the first book to be this badass character, but he doesn't actually do a whole heck of a lot, and certainly nothing I would describe as badass.
After getting to the end of this particular book, I wish Rei had been the narrator instead; in fact I wish there had been two stories of these same events; that way Zane could have focussed on narrating his growing marriage and impending fatherhood, and Rei could have focussed on the political intrigues and his own budding romance. That way we could have also been treated to content about what exactly happened on Ahnmik.
That's the worst limitation and pit fall of first person narrators; they can't provide us every detail because they can only share with us the things they experience or what other characters tell them. Snakecharm could have been improved by either doing what I suggested above, or just simply changing to a third person narrator.
At least the villain here isn't repetitive; yes their end goal is still to destroy the tentative peace Danica and Zane are building. But Syfka and the formidable and intimidating Falcon empire taken it to the extremes; they don't just want to break up the peace they want to plunge the two races so far back into war that they will never be able to break out again. What makes that so ominous is the fact that we don't get to find out their motives for this desire until halfway through Falcondance.
Overall it's a good second volume, it has it's flaws and it could be better, but it does what it sets out to do; it drives the plot forward and introduces the series Big Bad. But it suffers the problem most sequels suffer, it just doesn't end up living up to the memory of the first book.
--Ren
Friday, March 1, 2013
First Read Friday: Hawksong by Amelia Atwater-Rhodes

Author: Amelia Atwater-Rhodes
Publisher: Laurel Leaf
Published: July 8, 2003
Number of Pages: 243
Genre(s): Fantasy, YA
Date Read: February 15, 2013
Acquired: Amazon.ca
Summary:
A long, long time ago in a far away land lived many magical races of Shapeshifters, from birds, to snakes, to tigers and wolves these being could take the form of animals and of humans. This is the saga of the Kiesha'ra, the races of The Serpiente and the Avians who all descended from the ancient Kiesha. These two factions have long been divided, they have been at war for so many generations neither tribe can any longer be entirely certain of why they started fighting but they continue now out of retribution and because they know no other way. They are so diametrically opposed in their values and views that neither populace believes peace is even possible, their hatred is so entrenched.
But everything these two great tribes think they know is about to change when the young heiress to the title of Avian Tuuli Thea, Danica Shardae, a Hawk, ventures out onto the battle fields and holds the dying Gregory Cobriana, one of the sons of the ruling house of the Serpiente in her arms so that he will not die alone and will die knowing comfort, even though he had just murdered her brother Xander. That single act cements her desire to see peace between their two peoples, so that no Avian or Serpiente ever has to lose another loved one. She vows to do whatever it takes.
At the same time word gets back to the Diente of the Serpiente, Zane Cobriana, Gregory's older brother, about Danica's actions and he too is moved. Long having desired to see peace between the Avians and the Serpiente Zane has been formulating a plan for years and now he sees his moment to enact it. Arranging for the Hawk Royals to meet him at the encampent of the Tiger King for arbitration and negotiations he seeks out Danica in her bedroom and makes his proposal, literally, he proposes that they join their two houses and kingdoms by marrying one another. At first Danica is scandalised by the idea, but the more she thinks about it the more she agrees with Zane that it is the only way. So she agrees.
Can their relationship survive? Will the Avians accept a snake as their Tuuli Thea's alistair? Will the Serpiente accept a bird as their Naga? Is love really enough to overcome centuries of brutal, bloody war?
Review:
I still remember the first time I picked up a book by Amelia Atwater-Rhodes, I picked up her very first book, In the Forests of the Night right around the time it came out I believe, because that was during my poet phase and I was really really into the William Blake poem she used as inspiration. If I remember correctly that may have been the book that was responsible for getting me interested in vampire fiction...it's been so long I cannot recall with 100% accuracy. So yes, I am a long time Amelia Atwater-Rhodes fan, so I really can't believe it took me so long to actually read this particular set of books by her. I mean really, it's been out almost 9 years. That being said I'm really glad I finally got around to it. HawkSong is really interesting.
In the early books of her main series, The Den of Shadows she alludes to the Shapeshifters very briefly, like with Jaguar in Midnight Predator. Hawksong and it's four sequels are a companion series to The Den of Shadows giving more history and background on three of the tribes of Shapeshifters.
While the Hawks and the Serpiente in this book are interesting I am disappointed that she didn't choose to expand on some of the tribes that she'd already mentioned in The Den of Shadows. I'd love to know more about the tribe that Jaguar descended from, and I know the Tigers actually got mentioned in this series before they got mentioned in Den but they were in Hawksong so very briefly that we learned next to nothing about them, certainly nothing that comes close to hinting about what we learn about them in Poison Tree.
Aside from the intricacies of the cultures, the story line of Hawksong really isn't complex at all, and I feel like it's been done to death. Two races at war, the children of the ruling houses decide to join the two kingdoms by marrying, tentative peace is achieved, and then you're left with a cliffhanger about whether or not it could really last. It's a tired plot line and the reader knows how it's going to end, but I still think the journey in this case is fun, if only because of the cultures of the tribes as a whole. This novel is from Danica's POV so we're locked into her Hawk sensibilities as she tries to understand and immerse herself in the Serpiente culture. I like the fish out of water angle of it and I like that Danica, by the end of the book, really, really is trying to open her heart and mind as much as possible to the Serpiente people.
What do you think, can you enjoy a book that has a plot line that's been played out to the point of becoming predictable?
--Ren
Monday, February 25, 2013
Daughters of Eve by Lois Duncan

Author: Lois Duncan
Publisher: Laurel Leaf
Published: 1979
Number of Pages: 256
Genre(s): YA, Thriller, Suspense, Horror
Date Read: 2002 (The 1st time...)
Acquired: Coles (First copy) Amazon.ca (Replacement copy)
Summary:
It's 1979 but in the small rural Michigan town of Modesta the ideals and values still scream 1950s, especially when it comes to girls, women's rights and the feminist movement. The girls at Modesta High are being driven slowly insane trapped in the anti-feminist time warp that is trying to suck them under.
Ruth Grange has to deal with the fact that her three brothers get everything and get away with anything they want simply because they are boys, leaving Ruth to be their mother and housekeeper without a thought for her desires or dreams. Laura Snow is the overweight girl that nobody tries to notice, for anything other than making fun of her that is, all she wants it a friend. Jane Reardon is trapped in an abusive household with a mother who won't stand up for herself let alone Jane. These three girls' lives are changed radically when they get invited to join the Modesta Chapter of the Daughters of Eve, a sorority-esque club that is home to the elite females of Modesta High and sponsered by their worldly and strong feminist art teacher, Ms. Irene Stark.
It's more than a school club though-it's a secret society, a sisterhood, and they have a mission, to change the school, cast out the backward anti-female attitudes of not only the school but the town. At first, it seems like they are actually changing the way guys at school treat them. But then something happens and Ms. Stark begins to urge them to take more vindictive action, and it starts to feel more like revenge-brutal revenge. Some of the girls begin to question the group's actions, and Ms. Stark's motives and past, but they are ultimately blinded and bound by their oath of loyalty and so the Daughters of Eve become instruments of vengeance. Can one of them find the courage to break the spell before real tragedy strikes and there's no going back?
Review:
I enjoyed this book so much that when I went to reread it about 5 years after first acquiring it and I couldn't find my copy I went out and bought a new copy.
This is a pretty dark and gritty novel, but one shouldn't expect anything less from the author of I Know What You Did Last Summer. It's also a very powerful novel, showcasing the results of what one negative influence can do to a group of people, especially a group of young, malleable & impressionable people like the girls here. Irene Stark has a dark past and as you get further into the novel you can see just how unhinged she truly is to be capable of doing what she does to these girls. She could have benefited from counselling, it's this type of person that when you hear about them in real life you have to ask yourself how they even managed to become teachers and ask why we don't give psychological screenings to educators?
Another running theme in this novel is what happens when you give in to negative peer pressure, a club like this with binding oaths to secrecy, where the stronger members can force their will on the weaker characters and make them do things they wouldn't normally do if not for the pressure of being accepted and being part of an elite group, these are very real things that teenagers, girls especially, deal with on a daily basis. The girls in Daughters of Eve go down some very dark paths thanks to peer pressure. It's also interesting to pinpoint the moment where it goes from being simple peer pressure to mob rule. Very horrific to picture as you're reading it.
Duncan manages to explore those themes completely and thoroughly in under 300 pages, which I find incredibly impressive for such hugely loaded themes. Another aspect that impresses me is the way she manages to actually develop all of the many characters within the novel in such a short length. Other reviewers complained that she tried to take on too many characters and that many just ended up being stereotypes. I am inclined to respectfully disagree with that opinion, that is theirs and I have my own. I don't mind trope-y characters, tropes in characterisation fill a need. So yes you've got the brainy girl in Fran and the man-eating girl who of course is named Bambi as two examples, but both of these characters are much more fleshed out than that. Fran for instance ends up bonding with a boy, and emotionally and interpersonally she's actually one of the stronger voices amongst the girls and they all respect her and look up to her as a leader, where as the stereotype usually has the very brainy girl as being a wallflower, loner, plain or unattractive etc. Duncan makes certain that all of the Daughters of Eve are very real and very relatable, I remember the first time I read finding different aspects of myself within a few of the girls and that makes it very easy and enjoyable to connect to the book.
And now that I'm talking about it I want to re-read it again! Maybe I will!
--Ren
Friday, February 22, 2013
First Read Friday: Soulbound (Legacy of Tril #1)
Author: Heather Brewer
Publisher: Dial Books
Published: June 19, 2012
Number of Pages: 394
Genre(s): Fantasy, YA
Date Read: February 14, 2013
Acquired: Wal-Mart
Summary:
Kaya has lived her life knowing that she and her parents are fugitives, that their entire existence depends on discretion and secrecy. They are on the run from the ruling council of Tril, the Zettai Council run by the most powerful Barrons in the land. The Barrons are the warrior class, the highest of the Skilled and the most revered; every Barron has a single Healer bonded to them, that is the way it has always been and should always be according to council law, one Barron and one Healer and nothing else. After losing their respective Healers to the War and falling in love, Kaya's parents knowing they were breaking this law went in to hiding and raised Kaya, born a Healer, to know and hate these traditions. For 15 years this life of secrecy has worked, for 15 years they have been free in a way, living life hidden amongst the Unskilled who know nothing of the Barrons and Healers or their Council.
But suddenly and inexplicably and without any warning the war is on Kaya's front door and her father must give them all away in order to save not only Kaya's life but their entire village. In exposing them Kaya is discovered and is summoned, on pain of death for her parents if she disobeys, to Shadow Academy to be trained as a Healer, forced into a Bond with a Barron she does not know, and made to follows strict rules of Protocol that her parents had spent her entire childhood trying to keep her away from. Kaya chaffs under the rules of Protocol, unable to accept the passive, dangerous role of the traditional Healer, she does not understand why she should not be allowed to defend herself, why she should have to rely on her Barron to protect her at all times and at any cost. So she sets out to get herself trained no matter what the cost to herself, her family, or the people she asks for help.
Review:
This was the book that prompted me to bring up world building last Wednesday. I did something that I keep telling myself not to do while reading a book; I looked at the GoodReads reviews, I already learned that doing that does nothing but colour my opinion of the book as I continue to read it and yet I did it again with this book anyway. I swear lesson learned this time, promise. It was this review in particular that ended up being the route of my problems. Up until that point I honestly hadn't been bothered by the world building because I usually give the first book in a series the benefit of the doubt that further books will continue to expand the world. The problem lies in that this reviewer and all the other reviewers who mentioned poor world building are right. Brewer does not lay enough of a foundation here in Soulbound, so I have little hope that the rest of the series will be able to sufficiently make up for what is lacking here. We get a general description of what it means to be Skilled and Unskilled, but we get absolutely no information about why those labels came to be, who created them or why people like Kaya's parents haven't revolted and tried to change things. We get told about a war that is suppoed to be devouring Tril, meanwhile the only people who know about this war are the Skilled, and we get very little information about who the Big Bad is or what his motives are. I understand that a lot of this might be able to be attributed to the narrator, which in this case is the main character who has been sheltered from all of this information and so is probably unreliable; but I don't know, I feel like Brewer didn't even bother trying to world build, she envisioned Kaya to supposedly be this game changing character who is completely against the current hierarchy, but she really never does any real hard questioning or digging so how can she be expected to change anything when she doesn't understand any of it? Am I the only one thinking that way?
Another thing that bothered me about this book? The buzz words highlighted on the back: deeply romantic adventure, heart-stopping action and impossible to forget heroine; my problem with these buzzword is that none of them are true. I find nothing at all romantic about any of the relationships in this book, they're both unhealthy. We're told that Kaya's relationship with Trayton is this huge romantic thing, sure Trayton does a couple of nice, sweet, romantic things, but for every one of those moments there are another two-three where he's either manipulating Kaya, belittling her, abusing her, or neglecting her, and she lets him do it even though she's supposed to be this independent spitfire. Forgive me if I don't see the deep romance there. And don't get me started on her relationship with Darius, he's just as bad as Trayton especially when you get to the end of the book and find out he's been lying to her the entire time. Although if you're observant, which Kaya is not, at ALL, you'll have the big twist figured out pretty much the first time Darius is introduced, I know I did.
As for heart-stopping action, yes there were some nice action scenes thanks to the sword fighting, but I wouldn't class any of the battle scenes as heart-stopping not by any means, especially when the narrator herself spends most of the time worrying about not cutting herself on her own katana. Which brings me to the claim that Kaya is impossible to forget, from the cover I was expecting her to be the ultimate badass, I was left highly disappointed as she turned out to be full of stereotypes; yes she wants to learn to defend herself instead of relying on Trayton to defend her, very feminist, very independent I applaud her for that. She actually achieves that goal by the end, except she still does need rescuing at some point in pretty much every one of her fights. And honestly, she was damn whiny. For how much emphasis was put on battles and war and breaking Barron protocol, Kaya spent an inordinate amount of time angsting over her supposedly romantic feelings for the two male leads, even though she self identified as not being interested in boys when she was first introduced.
If I don't actually stop and think about all of those things then I can enjoy the book. I hope that the next book in the series is narrated by a different character, I'd much prefer to see things from either Darius's point of view or Maddox's they seem to be the most interesting characters to me. I know that's not going to happen though because this series is the Kaya show for better or for worse. I really hope that Brewer delves more into world building in the next book, because I think that she could have a really, really interesting world going here and I want to know more about the mythology. There is culture blending galore you've got names like Patrick and Samantha mixed with names like Trayton and Darius and Sharya; Japanese katanas and European Chain mail, the cover depicts leather armour but there's never mention of any in the actual story, they just all seem to be dressed like ninjas are always depicted.
Overall, even though I have complaints, I will continue reading the series out of sheer curiosity to see just where she is going with all of this.
--Ren
Saturday, February 16, 2013
First Read Friday: Falcondance by Amelia Atwater-Rhodes
Since Friday was a Holiday I'm choosing to post what would have been Friday's First Read Friday today, enjoy!
Title: Falcondance (The Kiesha'ra, #3)
Author: Amelia Atwater-Rhodes
Publisher: Laurel Leaf
Published: September 13, 2005
Number of Pages: 192
Genre(s): Fantasy, YA
Date Read: February 22, 2013
Acquired: Amazon.ca
Summary:
When we last saw the Avians and Serpiente their leaders Zane Cobriana and Danica Shardae were pregnant and setting out with their Falcon friends, Rei and Kel, to create a Wyvern's Court in hopes of bringing their people together to not only achieve peace but to keep out the hateful influence of the Falcon Empire.
Now we fast forward several years and meet Nicias the pure blooded Falcon son of Rei and Kel, and the Grandson of the Heir to the Falcon Empire, Araceli. He's part of the Royal Guard of Oliza Shardae Cobriana, the heir to the Wyvern's Court. He is sworn to protect her with his life, a duty he takes very seriously, but his duty puts his life at stake when suddenly and without warning he begins to have nightmares of Ahnmik, nightmares which lead to a black out and a fall when flying with Oliza. His parents have no choice after that but to send him back to Ahnmik and to Araceli, because if they don't the Falcon magic that has awakened within him will drive him to total insanity.
Nicias is both drawn to and appalled by Ahnmik, simultaneously wanting to be there, succumbing to the seduction of Lily and the pull of the magic, and wanting to flee and get as far away from the place his parents hate the most. But he stays, because Araceli is the only hope he has, or so he is led to believe, until he finds himself drawn to the supposedly dangerous criminal Darien and her mysterious daughter Hai. Suddenly he finds himself smack in the middle of the royal power struggle his parents sought to keep him out of a struggle that will force Nicias to choose between duty and destiny. Is he strong enough to do what is necessary?
Review:
As the middle book of the series it has the task of moving the plot forward, but honouring what came before it. I'm not entirely sure it's successful in accomplishing that task. By skipping forward about 15-20 years Atwater-Rhodes has glossed over extremely important details about the building and growth of the Wyvern's court. It went from not existing at the end of Snakecharm to being an almost completely functional kingdom where the only real threat is what will happen when Oliza takes the throne, and for some reason her parents aren't as concerned about this as one would expect. In Hawksong and Snakecharm the readers were treated to Danica and Zane as highly conscientious people who thought about every detail of their plans and how those plans would affect their people. But either parenthood changed them or I completely misunderstood them in this book, because Zane at least seemed extremely different than the previous two instalments. I think this is compounded by the fact that we have Nicias as a narrator, he wasn't around during the events of the previous two books so maybe it's just that his perspective is skewing the reader's knowledge. That makes sense because he's a very introspective narrator who doesn't really seem to have a complete and full understanding of Wyvern's Court, which could be chalked up to the fact that he's a Falcon and the one thing the Avians and the Serpeiente can actually agree on is that they really really have a hard time trusting Falcons who look like Falcons. So not only are we not treated to how exactly the court was formed but we have little to no information about what exactly the Falcons were doing to work against them for the last 20 years.
At the end of Snakecharm the characters were well aware that the Royal Family of Ahnmik wasn't just going to let them get on with it. But from the sounds of the narrative that seems to be exactly what happened? Nicias coming into his magic seems to be the catalyst that gets the Falcons interested in acting again. But given what Nicias discovers about the Falcons' motives while he is on Ahnmik I find it REALLY hard to believe that the Falcons just sat back for all those years without interfering and just let Danica and Zane work towards re-uniting the Avians and the Serpiente after all the work they put into ensuring they would never re-unite. It doesn't make any sense; perhaps it's fleshed out more in Wolfcry? I haven't gotten around to reading that yet maybe I should make it my next book.
Moving away from plot and narration, one of the major themes of the series has been the personal growth of the narrators, watching them wrestle with their heritage and find a way to synthesize their histories with their day to day realities. Nicias has the hardest time doing this out of all 3 narrators so far. He's the son of two exiled Falcons living in a place where no one trusts someone who has a Falcon form. He has to learn how to control magic he didn't ask for and wasn't warned about from a woman who his entire family and extended family hates in a place he has never wanted to go. And while he's there he makes discoveries that not only change everything he knows about himself but everything he and everyone else knows about the world in which they live. Heavy stuff for a teenager. Nicias handles all of this surprisingly well. There are very few outbursts on his part. He's very level headed and mature.
I have to say that even though the book feels out of place, and I think the series would have benefitted from a book in between Snakecharm and Falcondance, something from Rei or Kel's perspective, that overall I enjoyed this instalment in the series. Nicias is by far the best of the three narrators so far. He also has the most interesting and involved story of the three which makes for an engaging read. Even though I feel it's weak as the third instalment and that it has it's flaws (what book doesn't?), it's still a good and enjoyable read.
--Ren

Author: Amelia Atwater-Rhodes
Publisher: Laurel Leaf
Published: September 13, 2005
Number of Pages: 192
Genre(s): Fantasy, YA
Date Read: February 22, 2013
Acquired: Amazon.ca
Summary:
When we last saw the Avians and Serpiente their leaders Zane Cobriana and Danica Shardae were pregnant and setting out with their Falcon friends, Rei and Kel, to create a Wyvern's Court in hopes of bringing their people together to not only achieve peace but to keep out the hateful influence of the Falcon Empire.
Now we fast forward several years and meet Nicias the pure blooded Falcon son of Rei and Kel, and the Grandson of the Heir to the Falcon Empire, Araceli. He's part of the Royal Guard of Oliza Shardae Cobriana, the heir to the Wyvern's Court. He is sworn to protect her with his life, a duty he takes very seriously, but his duty puts his life at stake when suddenly and without warning he begins to have nightmares of Ahnmik, nightmares which lead to a black out and a fall when flying with Oliza. His parents have no choice after that but to send him back to Ahnmik and to Araceli, because if they don't the Falcon magic that has awakened within him will drive him to total insanity.
Nicias is both drawn to and appalled by Ahnmik, simultaneously wanting to be there, succumbing to the seduction of Lily and the pull of the magic, and wanting to flee and get as far away from the place his parents hate the most. But he stays, because Araceli is the only hope he has, or so he is led to believe, until he finds himself drawn to the supposedly dangerous criminal Darien and her mysterious daughter Hai. Suddenly he finds himself smack in the middle of the royal power struggle his parents sought to keep him out of a struggle that will force Nicias to choose between duty and destiny. Is he strong enough to do what is necessary?
Review:
As the middle book of the series it has the task of moving the plot forward, but honouring what came before it. I'm not entirely sure it's successful in accomplishing that task. By skipping forward about 15-20 years Atwater-Rhodes has glossed over extremely important details about the building and growth of the Wyvern's court. It went from not existing at the end of Snakecharm to being an almost completely functional kingdom where the only real threat is what will happen when Oliza takes the throne, and for some reason her parents aren't as concerned about this as one would expect. In Hawksong and Snakecharm the readers were treated to Danica and Zane as highly conscientious people who thought about every detail of their plans and how those plans would affect their people. But either parenthood changed them or I completely misunderstood them in this book, because Zane at least seemed extremely different than the previous two instalments. I think this is compounded by the fact that we have Nicias as a narrator, he wasn't around during the events of the previous two books so maybe it's just that his perspective is skewing the reader's knowledge. That makes sense because he's a very introspective narrator who doesn't really seem to have a complete and full understanding of Wyvern's Court, which could be chalked up to the fact that he's a Falcon and the one thing the Avians and the Serpeiente can actually agree on is that they really really have a hard time trusting Falcons who look like Falcons. So not only are we not treated to how exactly the court was formed but we have little to no information about what exactly the Falcons were doing to work against them for the last 20 years.
At the end of Snakecharm the characters were well aware that the Royal Family of Ahnmik wasn't just going to let them get on with it. But from the sounds of the narrative that seems to be exactly what happened? Nicias coming into his magic seems to be the catalyst that gets the Falcons interested in acting again. But given what Nicias discovers about the Falcons' motives while he is on Ahnmik I find it REALLY hard to believe that the Falcons just sat back for all those years without interfering and just let Danica and Zane work towards re-uniting the Avians and the Serpiente after all the work they put into ensuring they would never re-unite. It doesn't make any sense; perhaps it's fleshed out more in Wolfcry? I haven't gotten around to reading that yet maybe I should make it my next book.
Moving away from plot and narration, one of the major themes of the series has been the personal growth of the narrators, watching them wrestle with their heritage and find a way to synthesize their histories with their day to day realities. Nicias has the hardest time doing this out of all 3 narrators so far. He's the son of two exiled Falcons living in a place where no one trusts someone who has a Falcon form. He has to learn how to control magic he didn't ask for and wasn't warned about from a woman who his entire family and extended family hates in a place he has never wanted to go. And while he's there he makes discoveries that not only change everything he knows about himself but everything he and everyone else knows about the world in which they live. Heavy stuff for a teenager. Nicias handles all of this surprisingly well. There are very few outbursts on his part. He's very level headed and mature.
I have to say that even though the book feels out of place, and I think the series would have benefitted from a book in between Snakecharm and Falcondance, something from Rei or Kel's perspective, that overall I enjoyed this instalment in the series. Nicias is by far the best of the three narrators so far. He also has the most interesting and involved story of the three which makes for an engaging read. Even though I feel it's weak as the third instalment and that it has it's flaws (what book doesn't?), it's still a good and enjoyable read.
--Ren
Friday, February 15, 2013
First Read Friday: The Unwanteds by Lisa McMann

Author: Lisa McMann
Publisher: Aladdin
Published: August 30, 2011
Number of Pages: 390
Genre(s): Fantasy, YA, Dystopian
Date Read: February 11, 2013
Acquired: Wal-Mart
Summary:
Quill is a veritable fortress, surrounded by high walls with only one closely guarded gate, even the sky above is caged in, whether it is to keep enemies out or the populace within under control only the High Priestess knows for sure, and as her word is law, no one dares to question. After all who would try and rise up against a tyrant who ritualistically annually declares that a certain portion of Quill's population that have just turned 13 will be culled and sent to die in a lake of boiling oil?
Alex knows this is his rate, he knew from the moment he defied the High Priestess's ridiculous edicts. He knows, and is constantly reminded that Quill has little value for creativity, the Quillitary, and High Priestess Justine especially, value strength, detachment and clear headed logic above all else. And so it is that Alex is selected for culling as an Unwanted while his identical brother Aaron has been labelled not just Necessary like their parents but given the title of Wanted, the highest honour a citizen of Quill can hold.
So it is that Alex and the other Unwanted children are sent to the ominous Death Farm to face the Eliminators; when they arrive they put on stoic faces and bravely face the prospect of their deaths, only to be told, by the Death Farmer no less, that he has no plans to kill them. For he is a Mage and he has created a magical haven for the Unwanteds where they can be safe and free to not only hone their creative skills, but to use them as weapons in case they ever have to defend themselves against Quill should the High Priestess find out how Mr. Today has been defying her for so many years. Alex has finally found a place where he is wanted and can be himself, but what will happen when his new found peace is threatened? Can Artimé and the Unwanteds really prevail over the mechanical might of the Quillitary?
Review:
First and foremost I have to say that even though I adore the cover image on this book, how could I not it's got a flying stone feline and live origami fire breathing dragons, that it's actually a really poor cover choice. It gives away FAR too much. After reading the book I really wish they'd gone with a desolate image of Quill instead, it would have intensified the dystopian nature of Quill and the abject horror of the idea of culling 13 year olds just for being creative, which is one of the main draws of the blurb. A missed and wasted opportunity in my opinion. Although one that somewhat continued into the story itself. McMann is obviously trying to create a place and a leader that the reader will be horrified by and hate, try to make us see just how horribly the people of Quill have it. But it never goes quite far enough, yes the practice of culling children because they aren't logical or emotionless is cruel, unusual and disturbing, but the jacket blurb and cover have both already given away that this practice doesn't actually take place, and aside from that practice and the fact that Justine is a cold-hearted dictator, the people of Quill don't live in abject poverty or squallor, Quill seems to me to be more of a cross between Castro era Cuba and Medieval England than an Orwellian dystopia. I get it, the target audience for this series is tweens, but that's the same target audience that both Harry Potter and The Hunger Games were targeted towards and the covers claim that this book is "The Hunger games meets Harry Potter" led me to believe that there was going to be some darker content, and all it did was hint at it, it just didn't go far enough for my taste.
My other complaint is that it was super rushed. If you will allow me to compare it to Harry Potter for a few minutes, let me say this on the subject of magical education in each series; it takes a good 3-4 books arguably in HP for the kids to become proficient enough in magic to hold their own in head to head combat with other wizards, actually I'd probably say they aren't really capable of that until book 5, that's 3-5 years of magical education and training. The kids in Unwanteds are shown to be mastering their respective arts and moving on to magical warrior training after only a few weeks and it's not like these kids had ANY experience before coming to Artimé, they came from a place that banned all creativity. The climax of the book takes place around the 1 year mark of their arrival and they are able to not only hold their own but win in a battle against an army, granted the army they are going up against doesn't have magic but still I find it incredibly hard to believe that this group of 13 year olds could have gotten that good that fast.
That all being said overall it was a thoroughly enjoyable read, the characters where likeable, with the exceptions of Will, Justine and Aaron, the antagonists, McMann was clearly on a mission to make these characters as unlike-able as possible because I can't think of a single redeeming quality in any of them, and for the blurb I've read for the second book in the series apparently Aaron is only going to get even more unlike-able. The use of creativity as magic was entertaining, the idea of a stinging soliloquy or fire step is pretty neat, but I like the idea of literally boring your enemy to death with a story best, because I think we've all felt in the past that we had teachers who were doing that to us at one point or another.
Any really creative person can easily sympathise with the Unwanteds and Artimé is a truly imaginative place filled with wonders, it's really easy to get into Artimé and want to know more. This book definitely kept me engaged and even though it didn't push the envelope as much as I wanted, and I found the pacing awkward I liked the book I believe it does its best to try and live up to the promise of being The Hunger Games for Harry Potter fans (although in my experience Potterphiles in general seem to be a large portion of The Hunger Games fanbase) and I am looking forward to reading the next one in the series as soon as I've made a noticeable dent in the pile. (Been banned from bringing any more new books into the house until I have done so...)
--Ren
Wednesday, February 13, 2013
World building
My best friend Angie will be the first to tell you that I am more than mildly obsessed with world building. I'm a details person, I want to know it all, the more details you give me about something the more fun I have with it. Especially with a work of fiction the more details an author gives me about the world the more vivid and real it becomes in my head. That's one of the pitfalls of my own writing...I get stuck in planning mode because I want to explore every little detail. I have a feeling when I do actually churn out a work I'm going to have Tolkienesque levels of details and appendices...Maybe that's one of the reasons I chaff with Tolkien, he was the king of world building. I am in absolute awe of the world he created and so so jealous of the layers of detail he created. That's probably also why I love fan-fiction and roleplaying. When I love a fictional world, I like to spend time with it, to build upon the details the author created, the half dozen or so spreadsheets I have filled with every possible detail imaginable about one of my Harry Potter roleplays proves that.
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Good gal JKR always willing to give the fans more details |
I like to know the laws of the world the characters live in, and I don't just mean the governmental laws, I want to know the physical laws of the world, literally how does their world work compared to earth. That is something I especially love about both The Hitchhiker's Guide to the Galaxy series and the Star Wars expanded universe; they both provided lots of that type of information; the Star Wars EU has produced several reference books filled with that kind of information, and they are all on my book shelves. I want to know about the different religions and cultures in the characters world, the foods, the animals, the geography. Give me everything.
Back in the early 00s when I was still really, really into pixel art I was on staff at a forum called The Last Gate and all of the other people on staff were also writers, one of the owners' Steph gave me a spreadsheet she had created called the world creation check list. To this day it is still on my hard drive and to this day I believe it is a valuable tool for world building. I should really get back in touch with her and see if she'd be willing to let me post it here on Novel Concepts. Anyway, the check list? It has over 200 individual questions designed to make you plan out all the details in the following categories: History; biases, prejudices, & crusades; life span & quality of life; medical care; religion; sexual equality & homosexuality; birth control, sex, & marriage; recreation, art, & culture; commerce & money; education & technology; military; government, law, & law enforcement; agriculture, hunting & gathering; animals; terrain. I can thing of another few categories I would add: physical laws, and metaphysical laws (including magic). I'm reminded of this movie I've seen the trailer for (dying to see the movie, haven't been able to lay hands on it, first time I saw the trailer I was mesmerised then never heard ANYTHING about it for like a year so I was convinced I had dreamed the entire movie, until I came upon the trailer again a few weeks ago), Upside Down clearly there are very important physical laws at play in this movie, and that's the kind of thing I want in a book too, explain that kind of thing, as fully as possible.
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My love/hate relationship with J.R.R continues: he is my world building icon |
There are some authors out there, like Tolkien, who are just world building gods (I know you see what I did there!) and then there are others who make you question how their books got published because their worlds' are so flat and gapingly incomplete. That second type of author? Yeah I hate them, that sort of thing ruins my whole experience when I'm reading a book.
For instance, Christopher Paolini? Yeah A LOT of people out there like to claim that he just ripped off The Lord of the Rings when he wrote the Inheritance Cycle, I'm more inclined to say he was just heavily influenced by Tolkien, and really what modern epic fantasy authors aren't? There are only so many epic fantasy tropes out there and with the level of detail in Middle Earth it's really not surprising that Tolkien used the vast majority of them, so yes any fantasy world worth it's salt is going to have a lot in common with Middle Earth, tropes are tropes for that reason. A Dwarf is a Dwarf and an Elf is an Elf; when someone follows the traditions of world building race creation they're labelled as copying. Well when they don't we just end up with something really bad, the best example of that is Twlight, Stephanie Meyer tried (and EPICALLY FAILED) to world build a world of vampires and shapeshifters but I think we can ALL agree that her vampires were not even recognisable as vampires because she threw all respect for tradition out the window. That's something I have a problem with.
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Example of: how not to build a complete world |
Another thing I have a problem with, and that was already mentioned above, gaps and holes in the laws of the world. I'm going to revert back to Meyer here because her series is just full of examples of what not to do in writing. When you can't even keep the laws of your world straight yourself, here's a protip, you fail at world building, go back to the start, do not go to the publisher, and publishers? Please stop giving people money for such things. Alice the vampmeyer has a power that allows her to see the future, Meyer outlines all the situations in which it doesn't work, and then throughout the rest of the series fails in actually having it function the way she's laid it out. That's just one example. Another example of bad world building due to gaps is the world in James Patterson's Witch & Wizard series. He never actually manages to build a complete world at any point in this series. The reader is continually left with unanswered questions and I know I personally spent a lot of time sitting there asking myself, and the book, "Wait, wtf? How did that happen!? How did they get there? Since when can they do that?" and so on and so forth.
So my point in all of this? My point is that the authors who take the time and make the effort to create a rich and vibrant world that deserve the glory and the praise; these are the authors that really care about their readers and their characters. I appreciate them and everything they do, wholeheartedly.
And now here is a list of my top 10 favourite fictional well constructed worlds:
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Reason #4 the I love the name Arthur. Reasons 1-3 are: Arthur Weasley Arthur Dent & King Arthur |
- Harry Potter by J.K. Rowling - She took the world we know and built a whole secondary world into it, and she did it well! I LOVE the Pottermore initiative.
- The Keys to the Kingdom by Garth Nix
- The Star Wars universe and expanded universe (so many booooks, so many details *drool*)
- The Hitchhiker's Guide to the Galaxy by Douglas Adams (except the last book which was written post-Adams death by Eoin Colfer)
- The Seven Realms by Cinda Williams Chima
- Frontier Magic by Patricia C. Wrede
- Women of the Otherworld by Kelley Armstrong (bonus points for being Canadian :D)
- Libyrinth by Pearl North
- 1984 by George Orwell
- The Lord of the Rings/The Hobbit by J.R.R. Tolkien - you know just in case I haven't already been clear; I know I've said I can't read the books because of the amount of detail, but that seriously does not stop me from being in love with the level of detail, which does seem rather paradoxical...
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